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VHS / CRT circuit-bend FX
One-time purchase • macOS & Windows • VST3 / AU / Standalone
0:00 0:21
INSIDE DRFT
Tape wow, head burn, tracking wash, dropouts and snow - six knobs of damage on whatever you run through it, over a CRT that shows you every bit of what it does.

Drop a video, a GIF or a still onto the tube and it plays through the same circuit as your audio. Or go live: any camera your machine can see - a webcam, a capture card, or on a Mac your iPhone over Continuity Camera - point it at your hands, your desk, the room, and that becomes the picture.

BURN scorches it hot, DRIFT lets the tape wander and leaves a blurred echo smearing behind the picture, BEND warps and skews, DROPOUT punches holes in the take, WASH softens everything to mush, NOISE buries it in snow. Sound and picture ride the same knobs - turn one and you hear it and see it move together.

Dropouts are wired straight across the machine: the instant one punches a hole in the audio, the picture tears with it. Not a visualizer guessing along - one event, heard and seen.

The FIELD page makes its own picture: twenty generators - flow, plasma, tunnel, kaleido, aurora, caustic, cells and more - shaped by hue, zoom, glow and flow, with FOLLOW setting how hard they ride your audio. Then blend them: the BLEND fader luma-keys the generator against your video or your live camera, so your footage comes through the pattern instead of replacing it.

feed reads the frame - how bright, how busy, how broken - and pushes it back into the audio. A hot white flash leans on the sound; a dead channel goes quiet. Run a music video through it and the mix starts breathing with the footage.
The REC key captures the tube and the sound together and writes a real MP4 - the export re-renders every frame through the same pipeline, so the file matches what you watched. Frame it 16:9, vertical 9:16 for phones and reels, or ultrawide, and cut circuit-bent music videos straight out of the plugin.
TAPE SPEED
Slow the whole machine down. Pitch, picture and damage all follow, like a deck running on a dying motor.
DICE
One click re-rolls the character knobs into a new broken machine. Keep rolling until you find the one.
PRESETS
A factory bank of broken machines, plus your own saves - user presets live in a plain folder on disk.
BASS MONO
All the wobble and smear stays up top - the low end folds to mono so the bottom never goes seasick.
VIDEO SYNC
The tube locks to your host transport, so the picture scrubs, loops and lands exactly with the session.
ASPECT
16:9, vertical 9:16 for phones, or ultrawide - the tube reframes and the export follows it.
drft is a VHS / CRT circuit-bend effect you put in your chain. Six character knobs - burn, drift, bend, dropout, wash, noise - run your audio through a dying tape machine, while a CRT on the panel shows the same damage on a picture: your video, a GIF, a live camera, or one of twenty built-in generators you can blend with your footage. Dropouts tear picture and sound together, feed lets the picture push back into the audio, and REC exports what you see and hear as a real MP4 in 16:9, 9:16 or ultrawide.
drft runs on macOS (Apple Silicon and Intel) as VST3, AU, and Standalone, and on Windows as VST3 and Standalone - so it works in DAWs like Ableton Live, Logic Pro, FL Studio, Bitwig, Studio One and more.
No. drft is a full audio effect on its own. If you never load a thing, the FIELD page still generates its own picture from your audio - the tube is never empty. Load footage or a camera when you want your own image, and press REC when you want to keep it.
No. drft is a one-time purchase with free updates - buy it once, keep it forever. The $19 launch price is a limited discount off the regular $39.
One-time purchase, free updates. The $19 launch price is a limited discount off $39.