Loading…
A practical guide to digging for vinyl samples—from record stores and thrift shops to online crates—so you can find loops and one-shots that haven't been flipped yet.
A practical guide to turntables, audio interfaces, hardware samplers, and software so you can start sampling vinyl and chopping beats without breaking the bank.
What every producer should know about sampling legally: when you need clearance, how the process works, and practical ways to protect yourself while making sample-based music.
Learn the chopping and swing techniques that made J Dilla's beats timeless—from off-grid chops to humanized timing in your DAW or hardware sampler.
A guide to soul and jazz LPs that are gold for sampling—what to look for, which labels and eras to dig, and how to find them in the crates or online.
How to rip vinyl into your DAW, reduce clicks and noise, and normalize your recordings so your sample chops sound clean and consistent.
A step-by-step guide to chopping samples in Ableton Live using Simpler, Sampler, and warping so you can flip loops and build kits quickly.
How to chop samples in FL Studio with Slicex, FPC, and the Channel Rack so you can flip loops and build sample-based beats fast.
How to get that warm, dusty lo-fi sound—tape saturation, vinyl crackle, SP-404 effects, and a sampling workflow that fits the aesthetic.
How BPM and key affect your sample-based beats—and practical ways to detect, match, and use them so your chops sit in the mix.
How to organize, name, and tag your samples so you can find the right loop or one-shot fast—without drowning in folders.
How to use the Roland SP-404 MkII (or older SP-404) for chopping, resampling, and effects so you can sketch and perform sample-based beats.
How to use an Akai MPC for sampling, chopping, and sequencing so you can build full beats and arrangements on the hardware.
The best sources for free, cleared samples: Freesound, Creative Commons, BBC Sound Effects, Splice free tier, and more so you can sample without clearance worries.
Practical ways to flip samples and stay on the right side of the law: royalty-free sources, replay, and when you need clearance.
Affordable turntables that work for sampling: Audio-Technica, Fluance, Pro-Ject, and what to look for so you can rip vinyl without breaking the bank.
Why you need a phono preamp for vinyl sampling, which ones to consider, and how to connect your turntable to your interface or DAW.
How to turn a sample loop into a full arrangement—structure, variation, and workflow so your beat has intro, verse, chorus, and outro.
Why library and soundtrack records are sample gold—KPM, Bruton, and where to find them on Discogs and in the crates.
EQ, frequency separation, and arrangement tips so multiple samples sit together in the mix instead of fighting for space.
The story behind famous drum breaks—Amen, Funky Drummer, and more—and how to chop and use them in your beats.
Compare Serato Sample's pitch-and-time workflow with native DAW chopping so you can pick the right tool for the job.
In the age of Splice and sample packs, why do so many producers still dig for and sample vinyl? Warmth, uniqueness, and the joy of the crate.
How to chop and flip samples in Logic Pro using Quick Sampler, Sampler, and Flex Time so you can build sample-based beats in Apple's DAW.
Learn how to slice samples at transients so your chops stay punchy and in time—in any DAW or sampler.
Where to find drums, loops, and one-shots that fit boom-bap and sample-based hip-hop—without sounding generic.
How to use tape saturation and warmth plugins so your sample chops sound cohesive and vintage without sounding muddy.
Practical EQ moves for vinyl rips: cleaning mud, carving space, and making chops sit in the mix.
How to use sidechain compression so your samples and drums work together—without the pump sounding obvious.
What you need to know about using YouTube as a sample source—copyright, quality, and better alternatives.
How to use Discogs to find sample-worthy records, check pressings, and buy vinyl for sampling.
How to rip, chop, and use drum sounds from vinyl—from full breaks to one-shot kicks and snares.
When to build beats from one-shots, when to flip full loops, and how to combine both in sample-based production.
What resampling means in beat-making—and how to use it for layers, effects, and sound design.
How to use Maschine for sampling, chopping, and sequencing so you can build sample-based beats in the box or with your DAW.
How to program boom-bap drums: swing, placement, and layering so your beats feel live and punchy.
How to use low-pass, high-pass, and band filters to shape sample chops and create variation without changing the source.
A simple checklist so indie producers know when they need sample clearance and what to do before release.
A step-by-step workflow for finding, chopping, and flipping soul breaks into beats.
Free plugins for chopping, tuning, and shaping samples—from saturation to spectral tools.
How to save and recall chopped kits so you can build beats faster and stay in the flow.
How to get a Recycle-style slice-and-trigger workflow in your DAW using built-in or third-party tools.
A focused guide to slicing and flipping samples with Logic Pro's Quick Sampler.